Michael

An Anurag Kashyap Films, Tipping Point Films, Viacom 18 Movies, Cat N Mouse Entertainment production. (Worldwide sales: Fortissimo Films, Amsterdam.) Produced by Anurag Kashyap, Guneet Monga, Sunil Bohra. Co-producers, Shaiju Nambiadath, Ramesh S. Sharma. Directed by Ribhu Dasgupta. Script, Debaloy Bhattacharya, Nilendu Guha.With: Naseeruddin Shah, Mahie Gill, Purav Bhandare, Sabyasachi Chakraborthy, Irawati Harshe Mayadev, Shridhar Watsar, Rudraneel Ghosh. (Hindi, British dialogue)Fumbling for mental realism within the tale from the Kolkata cop whose accidental killing from the child sends his existence in to a slow tailspin, Hindi indie "Michael" is further hobbled by spotty videography together with a wholly unconvincing kinds of staging would-be dramatic occasions. Inside the lead role, Naseeruddin Shah conveys a diploma of of credible angst as poor Michael handles to get rid of his badge, sinks to being a projectionist (and sailing) of Bollywood photos, and can get bothered with the youthful victim's father, who expects to eliminate the first kind cop's own kid in revenge. But "Michael" falls apart extended before Michael does. Coping with the late d.p. Somak Mukherjee, director Ribhu Dasgupta hasn't a concept the best way to turn docu footage of political protest in to a scene of Michael being bought to fire place his weapon into the crowd. Next, the initial-time helmer -- apparently inspired with the Cat Stevens song "Father and Boy" -- clumsily follows the protagonist's tries to take care of his soccer-playing kid also to increase the risk for rent each month. Thinking his boy continues to be specific for dying, Michael goes fully cuckoo inside the laughably unhinged final moments. Tech credits are terrible.Camera (color, HD, widescreen), Somak Mukherjee editor, Lionel Fernandez music, Vinayak Netke, Aatur Soni, B. Gauri art company company directors, Kaushik Das, Subrato Barik costume designer, Umabiju. Examined at Toronto Film Festival (Contemporary World Cinema), Sept. 15, 2011. Running time: 97 MIN. Contact the number newsroom at news@variety.com

Have A Look At TV's Unsexiest Sex Moments, Vol. IV

Nina Dobrev Nina Dobrev is recouping after she states she experienced a concussion round the number of The Vampire Journals. Did Stefan and Damon increase the risk for cut? See our report on favorite TV and movie vampires of the underworld from the underworld "Still feeling undesirable effects within the concussion I obtained on set," the 22-year-old actress tweeted on Monday. "Ouchie. Positive factor crimson is a superb color on me otherwise..." No further particulars were immediately available about precisely how and/or when she was hurt, but tweeting is a crucial step on the road to recovery.

Liam Hemsworth Joins Expendables 2

Liam Hemsworth continues to be cast within the Expendables 2, the follow up towards the action-hero-wealthy actioner that Simon West is pointing for Millennium Films. The film already stars Sylvester Stallone, Jason Statham, Dolph Lundgren, Mickey Rourke, Terry Deck hands and Jet Li, in addition to Chuck Norris and Jean-Claude Van Damme — with broadened roles for Arnold Schwarzenegger and Bruce Willis tossed in — and filming is placed to start in October. The initial movie made $274 million worldwide. Hemsworth lately wrapped shooting on Lionsgate’s The Hunger Games.

Matt's Help guide to Weekend TV

Bill Maher The Emmys would be the large draw a few days ago - my forecasts (a mixture wish list/analysis) are available here - but here's a glance at a few of the other TV a few days ago that sticks out. FRIDAYTop, or should I only say, topical pick from the evening: the return from hiatus of HBO's Real-time With Bill Maher (10/9c), using the usual variety of open visitors including Keith Olbermann in the roundtable and FX's Louis C.K. one of the interviewees. Question if the week's Tea Party-fueled debate on CNN can come up?Geek alert, or something like that to complete while discussing whether or not to spend out for that new Blu-Ray from the complete The Exorcist movie series: Cartoon Network launches the 4th season from the animated The Exorcist: The Clone Wars (8/7c) by having an hour-lengthy episode pitting the Jedi Knights in combat as well as their clone military from the Separatist droids. (I am presuming what this means is something towards the die-hard fan.) This really is preceded with a two-hour block of recent instances of action characters Batman: The Brave and also the Bold, Youthful Justice, Generator Rex and Ben 10: Ultimate Alien. Want more fall TV news? Sign up for TV Guide Magazine now!CBS News' 48 Hrs drops the "mystery" format on the special evening for that hour-lengthy report Bullying: Words Can Kill (8/7c), searching particularly in the escalation of online bullies. Producers spent six several weeks following occasions in a Rhode Island junior high school which has directly faced the problem regarding how to break the rules against all the tormenting.What exactly else is on? Cinemax's bloody, bawdy guilty pleasure Strike Back (10/9c), getting lost among its team quite explosively the other day, reels inside a couple of notable guest stars - Bet on Thrones' Iain Glen like a weapons dealer and Lost's Adewale Akinnuoye-Agbaje like a Sudanese sadist of the militia leader - with this week's latest shoot-em-up heroics. Out of the box the show's tradition, mtss is a multi-episode mission ending on multiple cliffhangers. ... Talking about departing us hanging, Fox's fabulous Fringe (9/8c) repeats last season's mystifying finale, departing us wondering "What-The-Fringe?" about Peter Bishop's fate. ... NBC airs the ALMA Honours (8/7c), praising Latino entertainers. George Lopez and Avoi Longoria are hosts. SATURDAY Pick from the evening: A spooky new Physician Who (BBC America, 9/8c) takes the TARDIS vacationers to some hotel that sounds a lot more like a lethal funhouse, where all the rooms reflects the visitor's pitch-dark, most harmful fears. The Doctor's. Require a pick-me-up? BBCA spotlights a few of the UK's (and others') best stand-ups within the to begin a 2-part special, Funny as Hell (11/10c), shot at Montreal's Only for Laughs festival this summer time.Thanks, NBC-Universal, for challenging TV writers' spell-checking abilities. First came Syfy, and today Cloo, a funnel dedicated to crime and mystery. Cloo's first original true-crime series, Killer Instinct (premieres 9/8c), stars upon the market FBI profiler Mark Safarik because he recreates well known cases, giving his experience in to the criminal mind. This really is combined with Dateline on Cloo (10/9c), repurposing a few of the newsmag's most sensational tales.Even OWN gets in to the true-crime factor, though naturally having a more emotional twist, starting Facing (10/9c), a docu-series about prison mediation by which sufferers and culprits come in person.What exactly else is on? Like a prelude to ABC's last-ever broadcast of The Kids Sept. 23, SOAPnet airs a 2-day marathon of a number of AMC's best-appreciated moments. Saturday's I Really Like Lucci Erica Kane-fest begins at 7/6c, and Sunday's Last Opportunity for Romance wallow begins at 5 pm/4c. ... True romantics can mind to Hallmark Funnel for Love Starts (9/8c), starring Nancy McKeon in the Details of Existence and Wes Brown as Clark Davis, the hero of Janette Oke's Love Comes Softly series, Hallmark's most effective brand-within-a-brand. This is actually the to begin several prequels. SUNDAYThe Emmy Honours telecast (Fox, 8/7c) is tonight's top pick, no matter whether you accept the outcomes (or perhaps the nominations). Jane Lynch hosts.Top non-Emmy pick: Ineligible for Emmys this season, AMC's Breaking Bad (10/9c) apparently has you win by airing a brand new episode opposite the honours. You won't want to miss it. This thrillingly pivotal episode features Emmy quality work by many people of their principals, including past those who win Bryan Cranston and Aaron Paul as Walter Whitened and the conflicted partner in crime Jesse Pinkman. The majority of the OMG moments now derive from Jesse's eventful trip south from the border, with Gus and Mike searching on because the lab assistant steps as much as show the Mexican cartel steps to make the miracle meth. A poolside reunion between Gus and Don Eladio (Steven Bauer) increases the intensity. However the true heart from the hour is available in a wrenching father-boy talk between Wally and the boy (RJ Mitte, never better) on his 16th birthday.What exactly else is on? The indefatigable Linda Ellerbee has returned with a brand new edition of Nick News (9/8c) entitled A Present of Existence, about organ donation, presenting us to kids who've contributed and received existence-saving transplants plus some who're still waiting. ... VH1's latest Rock Doc defies you to definitely just refuse. Planet Rock: The Storyline of Stylish Hop and also the Crack Generation (10/9c), read by professional producer Ice-T, charts an upswing of crack cocaine and it is relation to the stylish-hop culture during the last quarter-century.Sign up for TV Guide Magazine now!

Keaton & Monaghan Land A Penthouse North

Frederick Ruben is pointing the thrillerIt's been scientifically proven that 87% of movies could be better with Michael Keaton inside them, so rejoice and become glad that he's been cast, together with Michelle Monaghan, in Penthouse North. Frederick Ruben is placed to direct the thriller, which begins filming in November. The storyline sees Monaghan play a photograph-journalist that has retreated in the world carrying out a tragedy and will not leave her apartment. To date, so great - until a sadistic criminal (Keaton) breaks in looking for the fortune he thinks is hidden there. Everything sounds a little Copycat to us, since that film also starred an agoraphobic lead (Sigourney Weaver) who had been being targetted with a sadist (Harry Connick Junior there). Still, we are certain Ruben, who's a dab hands having a thriller because of experience on the kind of Sleeping Using The Enemy and also the Good Boy, will try to get this to stick out.

Diverse Web Series Develops Through Social Networking

WASHINGTON (AP) After growing fed up with watching stereotypes of individuals of color on screen, Issa Rae produced her very own vision of reality with "The Mis-Adventures of Awkward Black Girl."The Net-based show follows J, performed by Rae, and her incidents and achievements in work and love."The Net series came into being because I truly did not see anybody much like me on screen, nobody which i could connect with,Inch stated Rae, the show's producer, author and director. "There's are so many limited archetypes for black women particularly, and merely people of color generally, and it is frustrating to check out the screen and just have the ability to connect with people like Tina Fey or Amy Poehler, individuals who don't seem like me."Because the series first published online in Feb, the debut episode has received a lot more than 240,000 hits. Subsequent episodes have obtained a lot more than 100,000 hits and 1,000 viewer comments. Nearly 17,000 individuals are devoted towards the show's Facebook page. Rae stated she and co-producer Tracy Oliver are packaging "Awkward Black Girl" like a half-hour comedy to market to some cable network, but they are strongly considering keeping it on the internet to construct the crowd and keep more powerful connection with audiences."Social networking is exactly what made the show honestly," Rae stated. "Been with them not been for social networking, this show just wouldn't happen to be what it's today. I could not did this ten years ago."Susan Fales-Hill, who created and authored for that lengthy-running NBC sitcom "Another World," known as Rae's work fresh, incisive, and non-stereotypical."She's showing an informed, African-American lady leading a built-in existence along with a professional lady with buddies of numerous different ethnicities and skills, and merely attempting to make her way," Fales-Hill stated.She stated Rae's guerrilla method of TV making is brilliant as well as an inspiration to veterans in the market like her."Most of us emerged throughout a period when there is a studio system, more jobs and also you emerged with the ranks," Fales-Hill stated. "So for all of us, it is a culture shock. ... I've found it very liberating that they has produced her very own show. She's certainly making most of us consider the way you can perform things and just how a lot more aggressive you should be.InchRae, 26, born Jo-Issa Rae Diop, produced the idea for that show 2 yrs ago during a public theater fellowship in New You are able to. A La native, she did not know anybody in New You are able to, which provided many awkward encounters. After coming back towards the West Coast, Rae collected a couple of buddies to assist her begin shooting the series together with her own cameras in The month of january."I understood basically did not shoot it myself it had been not going to have completed,Inch stated Rae, who attended Stanford College and also the New You are able to Film Academy in La.Rae employed her friend Andrew Allan James to star like a, her annoying co-worker and admirer. The diverse cast now includes J's closest friend CeCe, an Indian-American, performed by Sujata Day, and her love interests Whitened J, performed by Lyman Manley, and Fred, an African-American, performed by Madison T. Shockley III."Diversity is essential towards the series simply because it is available during my existence," Rae stated. "In tangible existence, I actually do happen to possess a Bengali-American closest friend."Because the show's group of followers is continuing to grow, so has its own production. By episode four, Oliver, who plays J's co-worker and rival Nina, became a member of in like a producer and assisted pull together a complete crew for that show. The episodes increased from four minutes to12.After episode six, Rae and Oliver, former Stanford class mates, recognized they might no more manage to fund the series. Rae, on the temp salary, stated she could not cover the 12-hour-day shoots and production costs.The 2 had received a few emails from people offering to give towards the show, so that they made the decision to begin the official campaign for audiences to give with the online fundraiser platform Kickstarter.com. Through the finish of the first day, Rae stated the show had received $4,000."It had been just overwhelming," she stated. "We simply understood that people had something on our hands which people really supported our project which only agreed to be very touching."After in regards to a month, the show had a lot more than $56,000 from nearly 2,000 contributor.Since "Awkward Black Girl" released, Rae has signed with U . s . Talent Agency and three Arts Entertainment. She hopes her success will result in more possibilities for unprivileged to inform their tales."It transmits a note to mainstream media that people do not have to have these whitened men and women leads for everyone to connect with them," Rae stated. "It's kind of unfair to consider that, so Hopefully this show influences future casting choices just based off what we have been able to perform to date. "Copyright 2011 Connected Press. All privileges reserved. These components might not be released, broadcast, rewritten, or redistributed.

Watch Transformers 3 Free

Kevin Hart Pokes Fun at His Existence in Standup Movie

ATLANTA (AP) Kevin Hart appreciated when he needed happens at the beginning of his career and told an account so bad an audience member tossed a Zoysia-style chicken wing at him, slapping him concerning the mouth area."It struck me the next, while using sauce dripping from my face," mentioned the comedian, poking his mouth area before pointing for the floor. "It absolutely was the worst. I desired to answer to the guy who place it, but he was too big. You understand, I'm a little guy. So, I easily easily wiped the chicken sauce off and tried to complete.InchAn awkward moment such as this might have forced almost every other amateur comedian into an early on retirement. But Hart finds a means to craft his comedy act round his most shameful situations, turning them into laughable ones.For Hart, it's therapy."That's my drug, to consider stage and show people things i am coping with,In . mentioned Hart, whose first standup comedy movie "Laugh within my Discomfort" will premiere in 100 AMC theaters within the united states . States too as with East and West Africa on Thursday.Hart's "therapy" makes him most likely probably the most in-demand comics available at this time around. He's coming off a very-received appearance concerning the MTV Video Music Honours, where he shipped the opening monologue and starred in humorous vignettes through the show more youthful crowd situated this years Wager Honours. Hart's profile has furthermore risen due to a string of standup TV special deals, including "Seriously Funny" this season, additionally to some Ford Explorer commercial plus a couple of Jordans ads alongside Miami Warmth star Dwyane Wade.Along with his new movie, Hart will finish up the initial black comedian to own his standup performance displayed in movie theaters since Martin Lawrence's 2002 concert film, "Martin Lawrence Live: Runteldat." Hart will join a high-notch report on black comics who've had their standup act proven concerning the silver screen, including Richard Pryor, Eddie Murphy, Lawrence as well as the four comics in the 2000 standup film, "The First Nobleman of Comedy."Some consider the 33-year-old Hart current day king of comedy."He's ready to share his existence and encounters from his past," mentioned Steve Harvey, one of the "Original Nobleman" which has given Hart advice through his career. Hart has came out just like a co-host on Harvey's across the nation-syndicated radio program, "The Steve Harvey Morning Show" and you'll be inside the approaching film "Become A Woman, Think As Being A Guy," which is founded on Harvey's best-selling book."Kevin is open about his relationship, his being a parent capabilities and also the childhood," he continues. "That's how you come with an audience to identify. He's probably carrying it out a lot better than others at this time around. That's things i love about him."In "Laugh within my Discomfort," Hart freely talks about at his father's drug abuse, pokes fun at how his family coped while using dying of his mother, takes a jab at his 5-ft-5 height and discusses his separation from his wife Torre Hart, who's another comedian. The film features a touching moment when Hart visits his hometown in Philadelphia: He holds a family group gathering and tears up while giving due to his aunt while others for supporting him after his mother died from cancer in 2007.The film, co-directed by Hart, was shot throughout his 90-city tour taken. The tour made greater than $15 million."I discuss the products people normally wouldn't laugh at," he mentioned. "People moments were tough. However, you arrived at take your mounds. You don't have effective story with out them.InchHart provides the net and social media to his advantage, every once in awhile responding to numerous of his 2 million-plus fans on Twitter, as well as interactions on Facebook and live chat with the site Ustream. More youthful crowd released a few videos of his personal existence that went viral investing time with Jermaine Durpi and Diddy, and playing a pickup the overall game of basketball against Basketball player Shannon Brown."Visual media is large,Inch he mentioned. "The Net has already established this kind of hold on contemporary society. For that youth, that's how they operate. Television will get so bad where it will have the Internet. So, I'm just searching to obtain my hands about it early."Ultimately, Hart desires to build his brand beyond comedy. He's came out in lead and cameo roles in than 20 movies since 2002 getting a resume including "Soul Plane," ''Fools Gold," ''Little Fockers" and "Dying inside a Funeral." Most haven't received good reviews, but he examines each role becoming an opportunity to improve his likeability.Hart isn't shy about letting people know he's made a lot of money throughout his career. But more youthful crowd wants his career being greater than making the lots of money, searching to own his projects just like a author and producer like his idol Chris Rock."I'm a uniform, but it's inadequate,Inch Hart mentioned. "It comes down lower to having. It is not about producing the money. It comes down lower to everything you do while using money once you have it. Chris Rock directs, produces, produces and stars within the projects. He produces as they desires to keep his brand going."Hart makes a direct effect just like a business-minded artist. He met with AMC Theaters professionals to help close the sale on his debut standup movie."You understand the term showbiz? Well, Kevin knows how you can shuttle within the show and biz," mentioned Rob Clanagan, the Boss of Codeblack Entertainment, which produced and distributed "Laugh within my Discomfort." ''He's gifted. Everybody recognizes that. But they can also positioned on the Boss hat. You will discover very couple of people who are able to perform the show as well as the business."Outdoors of his comedy and acting endeavors, he's filming a documentary to research the preparation of his comedy act, and contains recently launched own mobile application, "Little Jumpman," a game title title that shows a personality while using likeness of Hart jumping as much as they can to earn points. The comedian's YouTube video funnel, Facebook updates can also be utilized using the application."It's all about my lengthy-term goals," he mentioned. "How can you be considered a mogul? Inside your do that's to constantly reinvent myself and get myself."Copyright 2011 Connected Press. All rights reserved. These elements is probably not launched, broadcast, rewritten, or redistributed.

Anonymous

A Sony Pictures Entertainment release (in U.S.) of a Columbia Pictures presentation in association with Relativity Media of a Centropolis Entertainment production in association with Studio Babelsberg. Produced by Roland Emmerich, Larry Franco, Robert Leger.Executive producers, Volker Engel, Marc Weigert, John Orloff. Co-producers, Kirstin Winkler, Charlie Woebcken, Christoph Fisser, Henning Molfenter. Directed by Roland Emmerich. Screenplay, John Orloff.Earl of Oxford - Rhys Ifans Queen Elizabeth I - Vanessa Redgrave Young Queen Elizabeth I - Joely Richardson William Cecil - David Thewlis Earl of Southhampton - Xavier Samuel Ben Jonson - Sebastian Armesto William Shakespeare - Rafe Spall Robert Cecil - Edward Hogg Young Earl of Oxford - Jamie Campbell Bower Earl of Essex - Sebastian ReidShakespeare or not Shakespeare -- that's been a roiling, unsettling question among generations of literary scholars investigating the true authorship of the plays and poems typically attributed to the Bard. "Not" is unequivocally the answer in "Anonymous," a handsomely staged and decidedly straight-ahead costume drama under Roland Emmerich's nearly CGI-free direction that insists that our "Shakespeare" is actually Edward de Vere, 17th Earl of Oxford. Pic is likely to encounter commercial headwinds faced by any historical movie, but may get a lift from press accounts of inevitable controversy when classicists and others protest. The so-called "Oxfordian theory" propounded in "Anonymous," that Oxford actually wrote the opus we know as Shakespeare's, has been circulating for some 90 years but remains a distinctly minority view, aggressively promoted and more frequently debunked. Indeed, one can view "Anonymous" is as an illustrated argument of the theory, pointing out several ways in which Oxford's life matched events and details alluded to or directly referenced in several Shakespearean plays, particularly "Hamlet." From a cultural standpoint, the film has received the implicit endorsement of two of the world's most notable Shakespearean actors and directors: Derek Jacobi, first seen at the film's start dashing into a Broadway theater to deliver the prologue and epilogue of a play titled "Anonymous"; and Mark Rylance, seen here as a lowly actor superbly performing several roles on the Globe stage, such as Richard III. Their participation, along with that of Vanessa Redgrave in a deeply felt performance as an aged and vexed Queen Elizabeth I, lend the movie bona fides that will make the ongoing debate more interesting. The film as a whole isn't quite as interesting, though it is noteworthy that action specialist Emmerich has clearly decided to change course here from anything he's previously made. Although this is primarily a writer's film, with John Orloff's screenplay (and dialogue) placed front and center, "Anonymous" surprises with how classical, staid and traditional Emmerich's mise-en-scene is, never straying from tried-and-true costumer standards. Another playwright, the unlucky Ben Jonson (Sebastian Armesto), is captured by royal troops, who torch the Globe and, apparently with it, an important manuscript Jonson has been hiding. He's tortured by Elizabeth's aide, the hunchbacked Puritan official Robert Cecil (Edward Hogg), who demands to know if Oxford actually wrote the plays attributed to reputedly illiterate Globe actor William Shakespeare (Rafe Spall). Five years earlier, Oxford (Rhys Ifans) attends Globe performances, and behind the scenes discusses with the younger Earl of Essex (Sebastian Reid) the possibility of the crown being usurped by the hated Cecils, including Robert and his domineering father, William (David Thewlis). The remainder of Orloff's script shifts between the "present" Elizabethan time period and a gentler past when young Elizabeth (an ideally cast and effective Joely Richardson) takes great pleasure in the delightful plays by the young Oxford (Jamie Campbell Bower), such as "A Midsummer Night's Dream." While Oxford is clearly a gifted poet and author, he's under the thumb of William, a strict Puritan who considers art and poetry to be the work of the devil. Elizabeth, though a supporter of the arts, is compelled to have the Cecils at her side for their connections to money, power and influence. Pic strains under the constant switches in time signature, which are sometimes dramatically effective and revealing of character, and other times overworked and fussy. There are even occasions when inattentive viewers may not immediately grasp which part of the Elizabethan era is being depicted, so quick and constant are some of the temporal changes. The past, however, helps explain the present, which is that Oxford -- whose younger self carried on a torrid romance with the Queen, and even, the film speculates, fathered her child -- finds himself in an uphill battle to convince Elizabeth that Robert is poisoning the aged Queen's mind. Meanwhile, a parallel narrative of Jonson and Shakespeare's running battle over public claim of the plays' authorship proves tiresome even as it veers close to comedy. The Shakespeare-Jonson imbroglio seems superfluous to everything affecting Oxford, partly because Ifans' command of his scenes -- and of the film -- presents convincing evidence he is "Shakespeare," sometimes via a mere glint of the eye or cock of the head. The actor builds his performance on details, such as the way he fondles his precious manuscripts, which lend the "Oxfordian theory" an unexpectedly human dimension. Redgrave (recently in "Coriolanus") veritably glows in most of her scenes as an Elizabeth who continues to wield extraordinary independent (and Protestant) power in a Catholic-dominated Europe, but who knows her days are drawing short. When her Queen nears death, the actor suggests that the light is literally fading in her eyes. The supporting cast is delicious, including Hogg as a disturbingly chalky Robert, Armesto as a stressed and insecure Jonson and Thewlis as a crafty old William under lots of makeup. Unfortunately hammy and counterproductive, Spall's Shakespeare is often so ridiculous that the "Stratfordians" (proponents of Shakespeare being the actual author) will feel doubly insulted here. Jacobi makes a distinctly sharp impression as the introducer. Pic displays the production values of work done at Germany's Studio Babelsberg by an almost entirely Teuton crew. Especially of note is Sebastian Krawinkel's ambitious and gorgeous production design, ranging from moody Royal court settings and manor house interiors to a full-blown rendering of the Globe, which is shown in unprecedented detail. Anna J. Foerster's widescreen lensing is intensely burnished and elegant; an ordinary score by Thomas Wander and Harald Kloser isn't up to the same standard.Camera (Deluxe color, widescreen, DV), Anna J. Foerster; editor, Peter R. Adam; music, Thomas Wander, Harald Kloser; production designer, Sebastian Krawinkel; supervising art director, Stephan Gessler; art directors, Stefan Speth, Sabine Engelberg, Bryce Tibbey, Kim Frederickson; set decorator, Simon Boucherie; costume designer, Lisy Christl; sound (Datasat/SDDS/Dolby Digital), Manfred Banach; supervising sound editor, Hubert Bartholomae; re-recording mixer, Bartholomae; visual effects supervisors, Volker Engel, Marc Weigert; special effects supervisor, Gerd Feuchter; visual effects, Uncharted Territory; special visual effects, Sony Pictures Imageworks; stunt coordinator, Rainer Werner; choreographer, Gabriela Dumitrescu; line producer, Marcus Loges; assistant director, Christopher Doll; Vladimir Subotic; casting, Leo Davis, Lissy Holm. Reviewed at Toronto Film Festival (Special Presentations), Sept. 9, 2011. MPAA Rating: PG-13. Running time: 130 MIN.With: Trystan Gravelle, Helen Baxendale, Mark Rylance, Derek Jacobi. Contact the Variety newsroom at news@variety.com